In 1863 the world’s first underground railway opened between Paddington and Farringdon.
And in 1911 they began using something no one had seen before: a mechanical staircase.
It was at Earl’s Court station, all the stairs were moving non-stop.
Passengers had to jump on the moving clanking apparatus and it would carry you up or down, until you got to the end and had to jump off.
When the first one appeared it was terrifying.
Remember, this was in the days of gas lamps and horse drawn carriages.
People were terrified, especially the women who wore long skirts down to the ground.
What would happen if their skirt got caught in the moving staircase, would they get eaten by the machinery?
Passengers stared at it, too frightened to get on.
The people who ran the underground knew they had a problem.
So they put up notices and posters, reassuring people of the escalator’s safety.
But people just didn’t believe them.
Then someone had a brilliant idea: proof always works better than a claim.
So don’t tell people, show them.
William ‘Bumper’ Harris was an employee who’d lost a leg in an accident.
He was told to come to Earls Court station and ride up and down on the escalator.
Just that, ride up and down, nothing else.
People at the bottom would see a one-legged man with crutches nonchalantly hop onto the escalator and ride it to the top.
Then he’d turn around, and people at the top would see a one-legged man with crutches nonchalantly hop onto the other escalator and ride it to the bottom.
‘Bumper’ Harris just did that all day.
When frightened passengers saw him do it they were reassured and ashamed.
Reassured that if a one-legged man could do it anyone could.
And ashamed that they were ever frightened in the first place.
So they stopped worrying and hopped on.
After a day of ‘Bumper’ riding up and down, everyone was using the escalator as if it was the most normal thing.
And once that happened, the problem disappeared.
Escalators became as accepted as they have been ever since.
The lesson was, it’s better to show people than to tell people.
Putting up posters around the station, saying the escalator was safe, didn’t reassure anyone.
But seeing a one-legged man use it was a clear demonstration.
And that’s how the best advertising works.
Demonstration, not empty claims.
But we seem to have forgotten that, today we simply repeat what we want the public to believe.
Which is why no one believes advertising.
We haven’t learned ‘show don’t tell’.
Click on these 4 links:
* A live chick in a tin, boiling in water for 2 minutes, to show how well the insulation works
* A VW floating in the water to prove it was so well made it was watertight.
* An air freshener placed between a blindfolded cat and a fish, to prove how effective it is.
* A Volvo with five Volvos on top of it to prove how tough it is.
All these ads knocked the competition out of the park when they ran.
All these ads were written in the days when copywriters investigated products.
But copywriters can’t do that anymore.
Now copywriters depend solely on briefs from planners, who can only ever investigate brands.
Which is why all ads look like all other ads.
But (in the spirit of show-don’t tell) don’t believe me, take a look around for yourself.
Love this, Dave. We spend considerable time searching for the demonstrations that make products compelling.
And here’s another example for you – from the 1980’s the Goodyear AquaTred commercial. My good friend Don Lewis (sadly passed away) did these at J. Walter Thompson (Detroit). We meshed well b/c the ethos of that day was to demonstrate, demonstrate, demonstrate. Whether it was his work for Ford, Goodyear, or for our work for Lowe’s Kobalt brand.
https://vimeo.com/65973918
Love it Doug, great demo
CGI bullshit polished turds so well many creative teams took the easy way out. Pressured by time constraints, timesheets and budgets, pressured by account people to “Just do it” and not to think. I told someone still in the industry recently “look, when you use algorithms to sell to people, you are trying to sell cakes to a person who has been sold so many because he “likes” cakes, he owns a cake shop. He still didn’t get it. Online selling has shifted the advertising paradigm from consumerism with new fresh ideas to sameism, selling the same person the same pair of underpants he wore yesterday.You can’t beat a great demo, but most creatives can’t do it well enough. Because they are all stuck in “their LIKE button ME TOO world. These COSY PHONIES wouldn’t know a good idea from a great idea even if they all stood on one leg in a lift!
Gorilla and Samsonite Suitcase get my vote.
Ages old ad.
Still remember the footage.
Still remember the brand.
The product still delivers.
Job done.
Dunlop’s another one.
Kev,
Forgot the gorilla and suitcase or I would have included it
Great story Dave.
Of course, nowadays, as well as having to depend on planners who investigate brands, copywriters also have to take feedback from account handlers who think they are Creative Directors.
Can you imagine taking the escalator brief in an agency and presenting the idea of a one legged man riding on it. Someone, somewhere would pipe up and say: “What if people think the escalator has chewed off the man’s leg?”
And not forgetting the classic Vision cookware ad.
https://www.youtube.com/watch?v=_gjMksCYRmI
“… at temperatures that turn an aluminim saucepan into, well, sauce”
Forgotten all about that one Ia, brilliant
The early 1970s Volvo “stacked” ad was great. But Volvo got in trouble, or their agency did, in the early 1990s for the TV spot where a monster truck drove over the row of cars, but the Volvo didn’t collapse. The problem: They’d reinforced the roof artificially. Truth helps. And truth hurts.
Brilliant.
Technology has turned everything into posh flea markets, decentralization from brand to function is a wave coming.
Being known for your function rather than who you are will be a thing.
This reminds me of a (non-advertising) anecdote about one of Prof. Dick Feynman’s lectures, as related by one of his students:
“There were 183 of us freshmen, and a bowling ball hanging from the three-story
ceiling to just above the floor. Feynman walked in and, without a word,
grabbed the ball and backed against the wall with the ball touching his nose.
He let go, and the ball swung slowly 60 feet across the room and back –
stopping naturally just short of crushing his face. Then he took the ball
again, stepped forward, and said: ‘I wanted to show you that I believe in
what I’m going to teach you over the next two years.'”